A Musical Interlude

Last Wednesday was a rather good day. I managed to pick up a review copy of Tom-All-Alone’s (more on that next tuesday when I post my review) and I stumbled across the soundtrack to the BBC version of Sherlock on Spotify. When I tweeted that very fact I got a thank you from David Arnold.

Told you so!

As is often the way with these things I got me to thinking. What soundtracks have totally got under my skin and always illicit a positive response from me? After a bit of thought and in no sort of order whatsoever I have come up with the following list.

  • Sherlock by David Arnold and Michael Price – Thoroughly modern but also captures the original Victorian setting and mood of classic Holmes as well. Evocative stuff.
  • Tron Legacy by Daft Punk – I have to admit I was highly dubious when I originally heard that Daft Punk were going to be on board for this but I was one million percent wrong. Many people have said that this is the best thing about the sequel and the more I think about it the more inclined I am to agree. Huge sprawling electronica with an anthemic nod.
  • The Warriors by Barry De Vorzon – There is a lot to be said for music that captures a time period accurately. The main theme is a perfect example of this. 70s through and through. Weirdly I heard this before I ever saw the film and I always thought it was bloody sinister. (No I don’t know where that came from either).
  • Lord of the Rings by Howard Shore – An entire trilogy of beautiful, moving themes. Makes me start to well-up every single time I think about (Yes I know I am a big softie, would you care to make something of it? You would! Then pistols at dawn it is. I demand satisfaction)

  • Flash Gordon by Queen – Well, if you’re gonna do cheese you best do it well. A wonderfully camp soundtrack to go along with a wonderfully camp film.
I could go on forever, I really could, but its just started to snow so I’m going to go and watch that instead.
Till next time
Keep it musical
Mr C
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